Tuesday, July 27, 2010

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Dolphins playing with bubble rings

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Sunday, July 25, 2010

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Friday, July 23, 2010

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Sunday, July 18, 2010

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wins the challenge hegemony - is one year old magazine IF

making in these days a full year after the magazine "IF", the unusual and the fantastic quarterly published by Gruppo Editoriale Tabula Fati. It is a remarkable achievement, considering that in Italy there was a high-profile magazine entirely dedicated to that fatal and fascinating universe of extraordinary tale that struggles to be encapsulated in a genre. Who owns a minimum of historical memory will recall that this lush land of creativity in our country has for decades been treacherously surrounded by desert. This was also the effect of the old hegemony. The criticism that occupied the upper floors of the daily newspapers and weekly, and tolerate little bad science fiction and fantasy in general. Therefore, the above statement was traveling in the underground, assigned to publications almost always ephemeral, a void that was felt, because it contradicted the extraordinary attention of readers to a form of expression as the son of a lesser god. Yet the Great
obtained and obtains broad support. The numbers speak for themselves: Italy has long been a thriving publishing market, which offers news, reprints, unpublished, and a parterre of respect for indigenous talent. This whole universe is particularly receptive, however, does not fear contamination with enviable open and accepting contributions from countries culturally distant from the 'primary' U.S., around which orbited the general public has for decades.
However, it is also known that the culture of academic records behind what is taken for granted elsewhere. With the exception of some pioneering work of scholars, for the rest of the fantastic stretched until not long ago the shadow of suspicion. Was trading for evasion evasiveness, or more was accepted willingly the sociological version of science fiction, generously supported by Carlo Fruttero and Franco Lucentini direction when they were twenty-five years of the series "Urania" of Mondadori, because in line with the Freudian reality principle that informed the ' cultural elite of the time.
But nothing comes from nothing. So even "IF", which stems from ancient passions and consolidated assets. In the editorial to the first issue the director Carlo Bordoni, known sociologist of literature, writer and critic, and for many years director of the Accademia di Belle Arti di Carrara, declared without hesitation that "IF" you refers to the tradition of American pulp magazines of the early '50s "if Worlds of Science Fiction" (and do not forget that the first "if" was merged with the legendary "Galaxy"). The same Bordoni then debuted in the Italian edition, published by the Tribune of Piacenza, in the distant 1964. Can not say nothing to outsiders, but fans know that The Tribune was formed around a handful of well-trained scholars, and that the same publishing house, La Bussola in the series, published almost always preview the translations of works by Ray Bradbury Jack Vance, Muriel Box, Pat Frank, Raymond F. Jones, L. Chaterine Moore, Philip K. Dick and Theodore Sturgeon, to name a few. To say nothing of the cover page of Herbert H. Pagani - also known as the late singer and songwriter - or Ernesto Teale, empyrean revenue of no less graphic authorship of the famous illustrations by Karel Thole for "Urania": a legacy of style that is known very well in setting the graphic novel "IF".
These roots also explain the presence among the staff of Romulus Runcini, dean and chief expert of Italian literature of the fantastic. So "IF" is a 'network' - as they say today - starting from the publisher Marco Solfanelli, already one of the architects in the early '80s the Award has always been passionate supporter and Tolkien Authors borderline, as demonstrated by his extensive catalog. And now that numbers have come out of four is already possible to take stock.
hundred twenty pages for each number, from the simple but elegant graphics, edited by Piero Orsi, "IF" presents a kind of coma "MicroMega" of studies on narrative across the border, where the border is defined as those for common sense, and the chronicle of 'ordinary. The scope
preferred by the authors of "IF" (equally distributed among the essayists of various fields and backgrounds, but all very competent, and storytellers, almost always experienced) is rather precisely the extraordinary, the ' unusual exceptional, in a word fantastic, as we will Tzvetan Todorov in his seminal research by Theories of the symbol to The fantastic literature (1970), where, however, as we know, the great scholar says that the sense of the fantastic dall'esitazione born player in front of a text that is neither 'poetic' or 'allegorical', because it is rather "a kind ... always evanescent," characterized by indecision just conscious: in short, a black mirror of the present.
This explicit approach has allowed us to organize any number of "IF" following a thematic node, without betraying the spirit of interdisciplinary and so to speak of confusion that comes from immersion in surreality. For now came the monographs on Robots & Androids, Underworld, Ucronia, Yellow & Noir and expects the upcoming vampire and C, and the next one, dedicated to 'Altrimondi'.
Above all, however, intrigued by the express unconditional openness to the universe of possibilities, and in fact this puts "IF" arguably the forefront in Italy, but also in keeping with the best that is developing in culture (also Scientific) in this first taste of international millennium and on which we will return elsewhere. The
asserts among other well-known writer and critic Gianfranco de Turris in the excellent essay entitled Ucronia or absolute revisionism, which opens the third issue devoted precisely to the 'ucronia, "a term coined by as you know French philosopher Charles Renouvier to indicate a time that does not exist but which nonetheless might be, or whose existence and hypothetical could be placed at a point in the past where you open up alternative routes, that parallel dimensions. In other words, infinite planes of existence. It's a thought that gives the giddiness, a concept at the Fredrick Brown Preposterous Universe , to name a classic, but it is also an approach that - writes de Turris - implies "... the re-interpretation of past history on the basis not only to new purchases (documents, testimonies), but to new perspectives and points of view previously banned "in this way by launching a free rein to think or imagine the historical time which will help to change" ... the mentality of the people against the fait accompli that takes the form of a psychological attitude against the widespread ' granite immutability of the Royal past, present and future. "
It's enough to make up the points of a manifesto, because the value of Fantastic is all in inducing the opening, the alternative, to the thousands of millions of possible futures. We live in a universe 'is not ergodic', the scientists say the most advanced of our time, namely in a world of endless possibilities. You just have the courage to explore them. Welcome, then a magazine that promotes this kind of mindset.
(published in "The Century of Italy" - July 17, 2010)

Thursday, July 8, 2010

Bush Dvrhs02 Instruction Booklet

SIMPLIFICATION

Wednesday, July 7, 2010

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to you the less shaky sinorgasto demotina

Strandestardi dellasetta of profinoturo Dromin sermentino of surpestrada you trmina sur pinostro but the sicrenia destrivia dolorinse servis Dromin cur seti. The stroma mestrana DISTRAM nick suri medostra parfrimo Fermina delstra derotation.

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